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Showing posts with label indie culture. Show all posts
Showing posts with label indie culture. Show all posts

Sunday, June 30, 2013

It's Social Media Day today

The event will be a little over an hour from now so I'm in a rush. But I have to post this.

So today, Sunday, June 30, 2013, Third Team Media, the people responsible in setting up this gig, gave me the topic "Love for Country and Music". I'll be talking about the benefits of music and the business of it to social change for Cebu and the country. And of course the importance of social media as a tool in this medium. I'll also be sharing the podium with these great and wonderful people.



The place is at Diamond Suites & Residences. The event will run from 9:00 AM until 3:00 PM.

See you :)

Wednesday, July 11, 2012

A message from Gary Granada (and good news for Cebuanos)

Text exchange dated Jul 8, 2012 9:37AM

Me: Bai may I post the entirety of your email sa ako blog?

GG: Sure sure!

Me: Thank you

GG: Salamatsab!

So here it is. Mr. Gary Granada's message to all Cebuanos (and tourists local and foreign) sent to my email on Jul 5, Thu:

Maayung adlaw mga kauban ug higala!

I am elated to announce that after 40 years, I have finally finished the album GYUD, a one-hour 20-piece piano-and-voice "concise anthology" of timeless Cebuano musical masterpieces. Forty years because it has been my dream project since high school - to one day sing the songs I knew from childhood myself. Consumatum est!

GYUD (which means "indeed", the most-often used Cebuano expression) is a family-builder (now you know the songs of your lolas and lolos) and a community/nation-builder (these incredible songs speak of an incredibly eloquent people!) in one painless dose. That is why we believe every Cebuano home should have a copy of it.

It is also fortuitous that GYUD (me with pianist Val Villanueva) will be rendering a piece in the First Philippine Pop Music Festival on July 14 (slightly delayed telecast over ABC 5). That piece is actually my contest piece entitled "Minsa'y Isang Bansa" and it will be the first time that GYUD will be introduced to the public on national television. (Sneak a peek of all 14 entries here: http://philpop.com.ph/finalist/)

To give you an idea how GYUD looks, here's a pretty sight hehe:


GYUD also understands that culture does not thrive in a vacuum but in a social/historical setting, so when I say "kanta nato ni bay!" (this is our song), I am saying it in exactly the same fervor I am saying "this is our nation, this is our community, this is our forest, this is our sea - we shall decide how things shall be."

It would be an honor if you consider inviting GYUD to team up with you in your campaigns for good governance, people's rights, sustainable agriculture, dignity of labor and such themes, or plain do-good community projects in your parish, school or workplace. And we'd be just as eager to be part of your special events, fundraisers and inspirational/evangelistic gatherings.

Let's work out something. Please email Tutzie Porras of Chridus Multimedia (GYUD's label and publisher) thru chridus@gmail.com and chridusmultimedia@yahoo.com. You may also reach her thru #09999945947. Salamat sangatanan, and we would appreciate it greatly if you let your Cebuano friends know about this.

Gary Granada.

PS.
You may also get copies of the album from:

Richard Romorosa (Manila) 09209829607
Vimvim Santos (Manila) 09062699157
Ian Zafra (Cebu) 09177110671
Audrey Tomada of Halad Museum (Cebu) 09399177235; (Cebu landline) 2682579
Patrick Music Studio (Davao) 09225555678/09187040445; (Davao landline) 3008920

Sunday, July 10, 2011

Adversity + Passion = Creativity

On one media interview, I was asked, "Can creativity really contribute to economic growth?

In fact, I've been asked many times of these types and many were challenging to expound.  I must admit I'm penchant for thought-provoking conversations.  I wish I have all the answers.  Sadly I don't.

But here's an AVP from the recently concluded Creative Industries Summit featuring yours truly with other sector chairmen of Creative Cebu and front liner DTI Provincial Director Nelia Navarro sharing their views as well.


Music bed are instrumental edits by Sheila and the Insects "The Disco Machine" and "Maude" courtesy of ICO Music Publishing and Merchandising.


Video directed by Zen Pastoriza (Camp Cebu).


Tuesday, May 10, 2011

How to pull off a POP Shoppe gig

Let me tell you a story about a gig in Manila that I played solo and came very sooooo unprepared.  It was an Orange And Lemons tribute night for POP Shoppe, a regular monthly production organized by Lilystars Records at Route 196.

Well actually I went to Manila for several reasons.  First was to file some papers for a traffic violation I've committed many years back for driving in EDSA without a seatbelt on (yep I've been quietly driving without a license in Cebu mwahahaha).

The second stop was to watch supposed concert of The Killers.  Yes, that concert that got cancelled.  This was in January 2010.  And for the record, I'm still not happy about the ticket refund.

And since I'll be in Manila for several days, might as well get some fun.

Upon finalizing my flight schedule, I've decided to call my friends at Lilystars and asked if I could play in their gigs.  Tonet and Lui were very accommodating.  They booked me 3 or was it 4 gigs.  Hahaha... I didn't realize I had enough guts to present myself as a singer/performer to them.

And so, the concert got cancelled, fixed my MMDA mess, and ended up at Tonet's place cramming up for the night's gig.

I had to memorize the chords and the words to 'Hey Please'.  Tough.  Seriously.  It was a tough job for me.  I love lyrics and words but memorization is not much my thing.  I always almost flunk history classes back in school.

And so hours passed.  I had to keep myself away from distractions just to keep the words in.  Hours  passed again until gig time.  The crowd was warm and enticing.  The beer was cold.  So many people.  I was having fun.  And this is exactly what a gig should be - fun.

So I did.  I simply let the audience sing the lines.  And this is how I pulled off that one POP Shoppe gig.

I cheated pretty well, huh?

Sunday, May 8, 2011

How to download Bethany's new single "Can't Say"

Here's how CARTONATA works.  After buying a shirt from Bethany (design below), ask for the CARTONATA code card.  It contains a unique code and instructions on how to get the band's music free.  Actually you'll get 2 songs, not just one.



It should say something like this:

Go to http://cartonata.com and type in the code (no buttons here so think like an Apple user).

Make sure you type it correctly.   You only get to use the code once.  Type in the code and press enter.
Then the system will ask for your email address.  Type in your email and press enter.

Then check your email.  Bethany's music should be delivered to your inbox (right click on image below and open new tab to view email  delivery sample).  Check your spam folder also just in case.

Voila!!! You GOT music. Yoohoooo!
You might want to check out music merch from Happy Days and Deanery, as well as bonus track from LA band Hellogoodbye also.

Tuesday, May 3, 2011

CARTONATA works

Nothing satisfies more than seeing something that started from a continuous idea and finally coming to view.  CARTONATA's free music download is working.  Here's a sample view of all downloads so far (right click and open new tab to see jpg file on your browser).

Sunday, April 17, 2011

Deanery says...

"Why sell if you can give.  Why buy if it's free?  Buy only what you need.  The want is free."


That's what CARTONATA also stands for.   Cebuano indie pop group Deanery believes in that too.

So tell me... if someone gives you this band's single, would you take it?  Yes?  Would you want to have it if it was free?  Maybe, yes, maybe.  If someone sells you this band's single as download, would you buy it?

Errr...

So answer me this... what's better than never?

What's Better Than Never by Deanery

Wednesday, April 13, 2011

'Rochelle'

It's obviously a girl's name.  It's also a fictional film from the television show Seinfeld.  In Illinois, it's a name of a town.

In this blog, 'Rochelle' is the latest single of Happy Days, a Cebuano geek rock group.  The band's been keeping the song in their personal players until CARTONATA.

Have a date with 'Rochelle' for P350 only at Hareld & Gumer's merchline.


Here's a sampler.

Rochelle by HAPPY DAYS

Sunday, March 13, 2011

Free music anyone?

It's better to share, isn't it?  Well yes receiving feels good but would you agree with me if I say giving is better?

Music's been one of the most shared art even back when the internet is still in its incubation stage.  In the 70's and the 80's, you insert a tape in your cassette and wait until the first 3 notes of your favorite song starts spinning.  You press record and voila!  You got music.

Eventually the song grew in you and so you decided to buy the real stuff.

The 90's upgraded this with the CD.  And so the electronics companies also invented digital burners.  Voila!  You got music!

Apple catches up later with the iPod.  Who would've ever thought that you can actually carry a thousand albums with you into something that is as handy as a cigarette pack.  Voila!  You got music.

Then they invented the DRM to hopefully discourage piracy.  It failed.  Internet and satellite radios became another source of music.  This is good except that if there is no internet or wifi, you got no music.  Then there's TuneCore, Jingle Punks, YouLicense, Jango, and all other music avenues they can think of doing.

As far as I'm concerned, only Radiohead dared to do something different on 'In Rainbows'.  Then other bands adapted the business model.

My question now is this... are these music companies doing the stuff they do in the attempt to control a playlist?  Because it never really stopped the culture of sharing free music.  And sharing is a natural human need.

Saturday, January 22, 2011

What could've been Artist Ko

In the early days of Cebu's music scene, particularly the post-Local Ground era, a group of artists and musicians attempted to put together an organization.  I remember several meetings held for this purpose.  We did a couple of bayanihan-based concert projects held in Zapatera elementary school, Sikatuna st.

The org was initially called Indie Culture but sadly didn't flourish.  Yet the name and the idea inspired me to set up a small record label.

Right click the image doc below, select 'copy image location' and view it in another window or tab to read the content.    I was part of this group (my name's on the doc below).  Looking back, this is an Artist Ko prototype.

Thanks to good friend Julius Uy for this saving this piece of history.

Sunday, December 6, 2009

22 Tango Records announces

Good friends Cattski and Anne Muntuerto is up for something and it's a good one.  The word is tango.  Music is their business.  And their philosophy is anchored on collaborations.

The name is 22 Tango Records.  It stands for two to tango.  It also stands for two as in plural, just the minimum number for collaborations.  It stands for partnership.  It stands for so many other things good.

Read their public announcement.

Frantic Static : Cilee and her ch'i

I first met Cilee Kuizon, Undercover Grasshoppers' frontwoman and main songwriter, at Midweek Sessions in July 30, 2008.  She was with a band called Misnomer.  I only found them in MySpace while researching for new artists.

At the time I don't recall anything special in them yet.  The band name was a bit off and negative too somewhat.  At that time at least.

But if the band was a house and if I was to believe in Chinese superstition, I'd still say there was a fair amount of ch'i in there.  Except that Misnomer didn't take off and I haven't heard from them since then.

A year after, Cilee sent a text message saying she has a new band.  My personal hopper story began when they asked if I'd be interested to work with them for 2 songs.  Of course how could I say no?  So for several weeks I sat with them in rehearsals.  The rest of the story was a refreshing canvass of discoveries of new music for me.

On behalf of the community breathing in Cebu's music scene, I am very proud to announce the official debut of her new band.  The band that's getting a lot of good attention in the local circuit lately.  A band popularly known as Undercover Grasshoppers (UCGH).  Cilee's band.

This December, UCGH debuts in the local music scene as certified rock 'n' rollers with the release of their first singe 'Frantic Static'.  The track is a studio release, recorded at Backyard Project Studio, and will be available for sharing via SoundCloud and Facebook.

On a personal note, I had so much fun working with the Hoppers.  I learned so many new things.  It was an opportunity to apply old studio tricks.  I tried new ideas as well.



Drummer Vince Yap is one fine timekeeper.  Warner Sala knew what bass notes to play.  Ongkii Sayson, had some interesting ideas worth trying - maybe the rest in the next sessions.  And Cilee?  She's probably the most talked about personality in the music scene today.  Great talent.

Congratulations UCGH for a job well done.

To the fans, the release is Dec. 13 at 6AM at the ICO Music page.  Do share.

Thursday, September 3, 2009

Lyrics to KISMET

The record will be out soon. Thank you for the inspiration.

KISMET words and music by C.D. Zafra

Spending that time again
With the memories from June to September
Downtime, your heart is breaking
Like glass it shattered
Then one day he came along
He started painting colors
But he doesn't know that you cared

There you are staring at the stars
You're falling in love again
You don't care if it's so much to bear
'Coz you're falling in love
Falling in love again

He thinks of you tonight
You said you don't feel the same
But somehow he's getting in
Your heart is but denying
There's so many possibilities
You got cynical
But deep inside you knew

There you are staring at the stars
You're falling in love again
You don't care if it's so much to bear
'Coz you're falling in love
Falling in love again

And then you look back now
The pain is lost again
Your hopes are shining like the sun
And the memories changed
It's now but rearranged
'Cause something good is happening
And you don't wanna let it go

There you are staring at the stars

You don't care if it's so much to bear
'Coz you're falling in love, falling in love again
There you are staring at the stars
You're falling in love again
You don't care if it's so much to bear
'Coz you're falling in love, falling in love again
Falling in love again
Falling in love again
Falling in love again
Falling in love again


ZAFRA version recorded and mixed at Backyard Project Studio by Kerryl Gonzaga Demeterio
CATTSKI version recorded and mixed at 1032 Recording Studio by Jan-Daryl Bantug
Produced by Ian Zafra
Exec. Producer Ysai Perez
(c) 2009 by ICO Music
(p) 2009 by ICO Music Publishing Inc.

Friday, June 12, 2009

Happy Independent's Day

What is independence?

How do you define it?

How important is it to be one?

Are you?

Communities grow not because people run it. It thrives because people share.

Independence comes when the act of sharing becomes voluntary. Something that is done not by approval or acceptance but by personal fulfillment.

Monetary success do not happen because of healthy capital investments. It builds because ideas, potentials, and possibilities were openly shared between people in an organization - unafraid of debates, disagreements, and premature conclusions. Every person involved knew that by challenging options, ideas evolve.

We all understand this don't we? But why do we always fail?

Ego? Pride? Fear? Ah the very essentials of failure. The very ingredients of seclusion.

People close their doors because they become afraid. Afraid to lose something. Afraid to get frustrated. Afraid of criticisms. Afraid of pain. To get past these, one must be able to understand the fruits of forgiveness.

But still people insist. People close their doors. They get scared of getting hurt. They get hurt because they despise change. These people don't want change. These people love the past as if the past is better than the present.

But hurt, weird as it may seem is part of becoming independent. Independence is the power to make decisions, the bravery to commit mistakes and admit them, and the heart to correct the wrong.

We all want independence. But not all can endure pain.

Monday, June 1, 2009

Spreading too thin

Try not to be everything to everyone.

This is where things become ambiguous when you get all things done at the same time. If you can, be specific about what you do and what you can still do.

Google maintained its reputation as the "only" search engine in the universe - with a few added valued services such as Adsense, Gmail, Bookmarks, etc. But it's essentially a search engine. If Yahoo was launched at this time, it wouldn't have made it. It started as a portal and it finally decided to stay as a portal. So it survived.

Microsoft on the other hand thought they wanted to be like Google with a new service called Bing - they say it stands for "But It's Not Google". This is going to be interesting.

In the local music circuit, Alex Lim of Sonic Boom Philippines realized this difficulty and later decided to focus on events instead - with added valued services on merchandising. My previous website Indie Culture Online failed because it wanted to become the "best indie website in the world" when what it actually was was just a small scale music e-zine.

I ended up chewing more than I could swallow.

Case in point... we only got two hands and a brain. Don't overuse it.

Wednesday, May 20, 2009

Change usually upsets people

If you want to change things, be sure you know who are those you will be upsetting.

The Beatles changed the world's perception of pop music - the ladies loved them but upset the male population.

Napster, CD pirates, and MP3 technology changed every consumer's preference but upset the labels and publishers.

Progress changes lifestyles usually for the better but upsets the skeptics, the purists, the politicians, and so on.

Change or any movement that resembles it, whether good or bad, leads to consequences, karma, feedback, answers, and so on...

Lily Stars Records, an indie record label in Manila is reviving the concept of selling singles.

Yes singles... one song instead of an album.

To me, this is interesting. But I wonder what type of change this could bring to both the general public and to the music community? Surely this will sooner or later upset people somehow somewhat. Question is who will these people be?

Saturday, May 16, 2009

Rescue A Hero's perfect finale

I was awed by Rescue A Hero's finale in this video. So much improvement here. And by the sound of the audio capture, the fans seemed happy.



What makes a show good show is a memorable experience. The best memories usually breathe and happen at the tail end of an event. With this in mind, always remember to not leave the audience wanting less.

The reason is very simple. We all love good endings.

Wednesday, May 13, 2009

So BS is?

Let's be glad we have musicians who write good songs despite the absence of an infrastructure. This blog's slogan says, "Cebu music scene : what it is without all the BS."

So what does BS really stand for?

I'd say the goal should be to construct, not destruct. Cheers everyone.

Friday, May 1, 2009

The tambourine sounds happier

I would carry with me a lengthwise Beatles notepad in case an idea hits me I'd scribble down the lines and images on the sheets.

Since Midweek Sessions' comeback in Feb 2007, reinventing the logo had become a persistent need. And for a long time the right inspiration just don't happen. Sketches, sketches, and more sketches.

Then I saw a sketch of a kick drum looking like a tambourine.

Bingo!

After that I talked to Lucille Umali a.k.a. Palot. She's one of those graphic artists I know who's got sharp ears for creative collaborations... perhaps even with the vague ones.

So I brought my notepad, talked, presented my sketch samples to her, and asked if she would be interested to translate the tambourine idea into a logo.

We came up with this.

Monday, April 20, 2009

Why indies are most often better?

For a time, our country's film sector had been blaming the pirates for causing the critical slump of their industry, claiming that "new opportunities" had been threatened leading to a premature demise before it could even begin. And so clamors were heard in the dailies from the sector leaders.

Can't blame them. Who wouldn't? After all, when a house is burglarized, it is only but normal and valid to be very seriously concerned about it.

But why now? And what are these "new opportunities" they are talking about?

Because for a long time, Hollywood had been making amazing films year after year after year, while our country's film makers still take the inaapi format approach.

Because it's what sells?

While Hollywood had been making amazing films - from storytelling to technology innovations year after year after year, our country's film makers for a long time prefer the movie-premiere-promotion-approach where movie goers would say ,"Hindi ka pa rin kumukupas idol. Idol ka pa rin!"

Because it's what sells?

One time I was watching a movie in cable channel Cinema One. The scene was in a rice field. In this setting, farmers are supposed to be wearing thin cheap camison clothes for obvious reasons. In that movie, the mestizo/mestiza casts were wearing branded and expensive-looking shirts.

Because it's what sells?

Where is the professionalism in that?

And they blame the pirates for the slump?

I would understand if what the film industry was lobbying about refers to pirated foreign films in DVDs. Personally and not to belittle our race but I don't think the work of our Pinoy film producers deserve to be pirated at all (with a few exceptions). My point here is to establish a comparison of quality between film makers in other countries.

As a viewer and keen observer, unless Pinoy film producers start reeducating the "masa" and their actors/actresses dare not to take stereotype roles and other standard packaging (with some exceptions), they shouldn't be complaining. Oh oh... later we find that those same actors/actresses who can't even pitch the notes right release records.

Unlike Hollywood films where actors professionally immerse in the role becoming the character, our Pinoy actors/actresses play their names, not the characters (with some exceptions). Budget constraints? I don't think so.

Look around us. There are so many creative people these days. And because there are so many of them, indie film makers are slowly coming out like mushrooms. Quality movies are starting to find its audience again and content with substantial stories is what this country needs. But of course we also need daring leaders who can take the risk of getting criticized for doing what is right.

Artists are supposed to open little new perspectives. They come in smaller groups, clustered with other small creative communities residing as indies, underground, radicals, activists, or whatever tag that suits you. They can afford to dare because money is not their main concern. Yet.

For producers who have the capability and resources to experiment on new ideas may opt to decide whether to take that road less traveled and tap these smaller investments or dismiss it for fear of failure. Many for a long while, the bigger fish in the film sectors had failed to see and tap in this potent spring.

Persistence from the indies did wonders and the quality films they delivered are slowly changing our lives for the better. Truly there are only a few enlightened.

The music sector is trying to pave its way as well. Pray for us.
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